You'd turn it off when I was half way Both Bleeding Cool and The Beat covered the ensuing controversy. Check out the script page below (courtesy of The Adventures of Mr. Phil): And perhaps the light going out in the final panel really symbolizes how the boundaries that distinguish Batman from The Joker have disappeared, providing further illustration to The Joker's belief that they're two sides of the same coin. What benefit do we get by thinking of objects as "sending messages to each other"? Looking back on the whole story, there’s an abundance of hand imagery, and the needle is unaccounted for after Batman kicks it out of the Joker’s hand. "There’s another solution of course. It’s just odd. (La)TeX -- What does the '%' character do? Also, authors are often unaware of themes and strains in their own work; as authors age, they routinely see how their older work reflects what they were going through at the time of writing but weren’t yet conscious of, and their analysis of their own work changes, exactly as ours can. To my immense gratitude, Rich Johnston covered my theory on Bleeding Cool. Is he or she right, simply because he or she is the author? Thematically, this foreshadows how Batman reaches out, perhaps one final time, to the Joker at the end. I couldn't understand the ending of the movie. My contention, in the book, was that he found the Joker’s discarded needle and is staring at it. freedom. Other times, authors are just forgetful and don’t have the details of their own work pristine and accessible in their thoughts, the way a reader or a critic might. I always interpreted it the other way round - the Joker was the guy who leapt to freedom ("freedom" being his insanity, which freed him from society's restraints), and Batman was the guy afraid of doing the same. According to comic book writer and author of numerous Batman titles, Grant Morrison, that's exactly what happens at the end of The Killing Joke. This theory makes that last scene work for me in a way it didn’t before. You could say Batman has jumped out of the asylum roof on the other palace (sanity), while the Joker is the scared guy: he is really scared to deal with his misery, to deal with his bad day and with what he has done after that day, he will never jump; the Joker thinks that Batman's offer of help is foolish like telling a guy to walk on a light beam; he is too scared and cannot be saved anymore. In 1996, while still an undergraduate, Dr. Julian Darius founded what would become Sequart Organization. Since relevant, I'll refer to the comic, on which the movie's based. It’s interesting to know the writer’s intentions, but they don’t change what’s on the page. He doubles down on the ambiguous ending. In fact, the draft for And the Universe So Big had been sitting on my hard drive for years. The Joker is trying to prove to everyone — and himself — how close they are to being just like him. Batman rescues the Commissioner and, before he goes after the Joker, Gordon has quite possibly his greatest moment: This scene is the crux of why I disagree with Morrison, but I'll get back to that. Movies & TV Stack Exchange is a question and answer site for movie and TV enthusiasts. He doubles down on the ambiguous ending. But it’s no more only “what’s on the page” than what Grant, or I, have said. Currently, he has given up on shaving. But his friend, his friend did not dare make the leap. He says 'Wh-what The Masked Singer Season 4: Who is Whatchamacallit? Sometimes, this was for political reasons, such as hiding subversive content. Share your thoughts in the comments section! I never, ever thought that he actually raped her. What was the conclusion of that scene or what was the actual meaning of that? If nothing else, that would certainly be interesting. This answer would be a lot easier to understand if it used paragraphs and punctuation. Put simply, something‘s going on there, but it’s hard to read. The fact that the Oracle repeatedly shows up in subsequent Batman features and that The Joker continues to be a thorn in Batman's side solidifies The Killing Joke's events as canon. Until, you know, they kill his dad in Identity Crisis, because Identity Crisis is terrible. What is the source for this? the second guy just shakes his head. (Though in fairness, there’s a lot that can happen off the page between writer and artist.). It’s religion that tends to revere single figures’ opinions as the revealed truth. What was the conclusion of that scene or what was the actual meaning of that? Both It’s nothing less than awesome that we’re talking about how to interpret a Batman classic. His careful examination of his hand is him realising he’s about to die (though he has a little time, since he’s in peak physical condition)… so he impulsively rids the world of the Joker in the same instance. True, the Joker had dislodged Batman’s cowl. After graduating magna cum laude from Lawrence University (Appleton, Wisconsin), he obtained his M.A. And what’s on the page in The Killing Joke is ambiguous in a way that requires interpretation, or reading what’s going on between the panels. First off, let's just look at the last panel you see the two in: Batman's hands are clearly no where near the Joker's throat. It really doesn’t matter that director Francis Ford Coppola routinely says he put things into his movies just because he liked them; critics have found tons of symbolism in his films, and these theories hold up or don’t. The creators have said that an entire prologue focused on Barbara, including her sexual encounter with Batman, was included in the film to develop her character in a way that the comic failed to do. As Moore’s Joker himself puts it, “If I’m going to have a past, I prefer it to be multiple choice”, Julian your book is brilliant & you’ve opened my eyes & spirit to a classic…wanted to know your thoughts on the Joker being immune to his own toxins/poisons…would love you to comment…please everyone check out his book it’s fab :), “Like a science or any other inquiry concerned with facts, literary criticism is subject to the evidence, and in the case of literary criticism, the evidence is the text.”. He’s certainly not. If he kills the Joker, he fails everyone: Jim, his parents, and even Barbara. Often, this was part of an author positioning or fashioning himself or herself — such as an author dismissing a work he or she no longer likes, especially if he or she wishes critics paid more attention to other, more “serious” work that is comparatively languishing in obscurity. It's intentionally left up the audience to figure out what it means. An interesting theory, though hardly new: as noted by Bleeding Cool, Bolland himself referenced the idea of Batman killing The Joker - which has been discussed among fans since its release - in his afterword for the recolored edition of The Killing Joke in 2008. I imagine it dangling there, and what Batman’s staring at is how close he came to death — a random, meaningless death, caused by happening to tumble into this madman’s needle. I don’t know, it just felt like a poetic convenience and grossly out of character. It’s from Bolland [illustrator].". Moreover, the script doesn't indicate anything as far as Batman strangling The Joker goes. By signing up you are agreeing to our, The Forty-Year-Old Version Is an Effervescent Look at an Artist Becoming True to Herself, Trump's Debt Is a Threat, Ex Intel Officials Warn, Sign up to receive the top stories you need to know now on politics, health and more, © 2020 TIME USA, LLC. Now, an animated movie based on that iconic storyline, which screened at San Diego Comic-Con on Friday night, has sparked another debate by altering the relationship between Batman and Batgirl. The go-to source for comic book and superhero movie fans. This time he didn’t, and one of the prostitutes concludes, “Maybe he found himself another girl.”, Timm says the filmmakers did not mean to imply that the Joker raped Batgirl. I'd rather look at it within the context of the comic, where I still don't think it makes any sense. And despite everything he does to Gordon — crippling his daughter, torturing him — he’s okay, and he’s still determined to show the Joker that the system, with all it’s flaws, is inherently sound, and that the Joker is wrong. The last thing I’ll say on this point is that we rarely have these discussions of authorial intent in other media. The Joker tells the ‘Killing Joke’ at the end, Batman reaches out and breaks his neck, and that’s why the laughter stops and the light goes out, ’cause that was the last chance at crossing that bridge. See more, including free online content, on Julian Darius's author page. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Maybe a writer didn’t picture a character as enraged, but the artist really emphasized that. do you think I am? He just needs to know that he tried, at least once, to reach out to him, acknowledging that eventually one of them is going to kill the other. Since most people are saying that the ending conclusion is up to the audience to decide i feel like its the end its done now the reason for batman laughing well that's tough knowing that his sense of humor isn't like anyone else's just like the jokers so they both share and have a lot of things in common but mostly the whole abyss thing how they accepted it joker isn't afraid he just accepted his personal abyss as the batman they probably dint share the same type of abyss but they have accepted it so if the joker and joker realizing that when batman tells him what Gordon told him about "doing it by the book" he realizes they are crazy for "doing it by the book" and the batman realizes joker will never be sane again which is why i think he laughs what else can he do? That said, there's always the other interpretation. Source: SModcast, Bleeding Cool & Comic Book Resources. Widely considered one of the greatest Batman stories -- and possibly the greatest Joker story -- of all time, the ending is, arguably, a bit ambiguous. Looking at the date I'd rather think it's supposed to be some kind of odd signature. He knows he’s wrong, and Batman needs him to be wrong. I do believe the evidence is the text, although I like Derrida very much. (Which I also think feels too abrupt, too graceless, for the work.). For what it's worth, Moore's feelings on the story are very telling. Here's the interview, in case you haven't heard it: First, some background. Now, the first guy, he jumps right across with no problem. If he found her afterward and said "After what he did to you, I couldn't let him live," I can't imagine she wouldn't be disappointed. The other half, Moore, has never outright explained it. History is filled with authors who claimed things about their own work that was simply not true. the town, stretching away in the moon light... stretching away to My own theory, carefully elaborated in the book, is that Batman used the Joker’s own needle. And the comics blogosphere talking about the ambiguous ending of The Killing Joke, which I’d happened to have thought a lot about? Futher on, in this last page script vignette #3 illustrates the idea that the whole crazy situation is just a joke: they may as well enjoy this one rare moment of contact while it lasts. Morrison’s theory doesn’t demean Moore’s text in any way. Is it possible to compile UNIX command line program for Apple Silicon architecture on Intel-based Mac? What happens to the girls at the end of the movie? It’s an offer of help the Joker cannot take, as his final joke perfectly expresses. one night they decide they don't like living in an asylum any more. Now, Grant, besides being a brilliant writer, is also really famous. On the other hand, the art alone appears to debunk that reading just based on where Batman places his hand, which comes to rest on The Joker's shoulder rather than wrap around his throat as Morrison states.

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