Andres Segovia selected a set of twenty of those studies, The marvellous studies of Fernando Sor, and his lessons and exercises, have been a part of guitarists’ experience for a century and a half. The 24 Lessons and 24 Exercises would also be perfectly good entities for performance as sets, although here one might come up against the very evident difference of complexity from one piece to the next. While he is best known for his guitar compositions, he also composed music for a wide range of genres, including opera, orchestra, string quartet, piano, voice, and ballet. The guitar is patch number 25 by this standard. = Sor Op.31, No.21 (page 53 in Tecla 101). (It never ceases to amaze me how so many modern guitarists and musicologists [...] don't even consider the wealth of material and instruction from Sor's era which cries out that this music is meant to be expressed with such devices as dynamics, tone color, portamento, chordal arpeggiation [...]. 31 (24 lessons), Op. Biblioteca Nacional de España, música impresa, Wolf Moser, "Fernando Sor: The Life and Works of a Reluctant Guitarist. He used the ring finger of his plucking hand and eschewed the use of nails on that hand. It is based on the melody for "Das klinget so herrlich, das klinget so schön! 44 may be regarded as a kind of supplement only. Study No.20 – Op.29, No.17. Moreover, it is clear to anyone who plays this music that the London reviewer was right when he said: “Mr. There was a great demand for him to compose material that was approachable by less accomplished players. Here is the beginning of his nineteenth Lesson (page 50 of this book): The passage in the Method makes it clear that he composed the nineteenth Lesson specifically to practice the technique which he mentioned, and it follows therefore that the rapid notes are to be played like this: Another passage which is very relevant to many pieces (indeed, to practically all of them) is one in which Sor discussed right hand fingering, saying that he generally used only the right hand thumb, first and middle fingers, reserving the ring finger of the right hand only for certain chords of four and more notes. Complaints should be directed elsewhere. However, at around the same time Joseph Arredondo, the new abbot of Santa Maria de Montserrat, the famous monastery, heard of his talent, and provided funds for him to attend the choir school located at the monastery. Sor’s life had changed a great deal. This edition has both strong and weak points. Studies Fernando Sor 12 Studies Op. If you would like to be informed about new Tecla publications, please sign up here. I have also cross-referenced the Sor opus numbers in the MIDIs. = Sor Op.31, No.19 (page 50 in Tecla 101). Unlike modern classical guitar players, Sor used the smaller, slimmer "Baroque" and "Romantic" guitars predating today's familiar Torres instrument. It was on that selection that Andres Segovia based his own anthology which he called 20 Studies (cf. The appendix includes one of the great masterpieces by Sor: Introduction and Variations op. This eye-witness desires, in telling this anecdote with all its details, to bring to light an interesting episode in Sor’s life, which shows that if that artist was worthy of admiration for his great skill and genius, he was no less so for the exquisite nature of his sensitive and tender heart. Study No.4 – Op.6, No.1 "[21] from The Magic Flute, composed in 1791.[22]. Please try again. 31, and the (24) Very Easy Exercises Op. Sor gave them the numbering 13-24, carrying on from the numbering 1-12 of opus 6. For example, in Lesson 19 discussed above, Segovia used a 20th century fingering (aimi) rather than Sor’s own right hand fingering. Therefore, the young Sor (still not 11 years old) began to write songs to words in Latin to impress his parents. Sor was even part of traveling military bands that would play protest music on the streets. Please try again. A final word of warning: these are not meant to be ideal models of performance for guitar students, who should by no means strive to imitate them. (p.1) 20 Studies for Classical Guitar by Fernando Sor, Vivaldi’s Guitar/Lute Concerto in D Major, Repertoire for Classical Guitar Beginners, Flight of the Bumblebee, by Rimsky-Korsakov, I Vow To Thee My Country, by Gustav Holst, Jesu, Joy of Man’s Desiring, by J.S. 14 Feb. 1778, died 10 July 1839) was a Spanish guitarist and composer. But in the file and marriage certificate of his grandfather, which includes Fernando's great-grandfathers, the name always appears as Sor, and this is true too of the corresponding document for one of the great-grandfathers, the oldest document yet found. Fernando Sor was born into a fairly well off and respected family, sometime in February of 1778. It was not a terrible turn of events, as he had much free time to play and compose music in the army as well. The second set of twelve studies, opus 29, was published much later, in 1827. But how many of us have actually played all of them, … SOR - Estudios Completos para Guitarra (Urtext), Progressive Studies for the Beginner: For Guitar Opus 31, Kalmus Edition, Fernando Sor: Studies Vol. OVERVIEW. To see what your friends thought of this book, Fernando Sor: The Complete Studies for Guitar. Faced with a problem of technique on the guitar, Sor always sought to solve it according to the demands of the music. Opus 45. When he reached the age of 11 or 12, the head of the Barcelona Cathedral took notice of young Sor's talent, and he was enrolled in the school there. 60 (25 lessons), Op. It would be splendid if more of our virtuoso performers of today were to consider sometimes performing these sets as a whole. In addition to many “serious” works The answer must lie in Sor’s temperament. The ideas, which grow out of the instrument yet stand up well enough apart from it, are fresh and distinctive. = Sor Op.35, No.13 (page 68 in Tecla 101). The technical details are always subordinate to the music and can only be a starting point. Sor feels what he has to say”. = Sor Op.31, No.16 (page 47 in Tecla 101). Sor also lent his name to the instruments of. 29, six from op. From a performance aspect, it is extremely difficult to interpret a piece The Kloe binding is a strong spiral which lays flat on the music stand and figures to hold up well. Reviewed in the United States on July 1, 2006. Study No.13 – Op.6, No.9 Untold numbers of students have worked Table of Segovia’s “Twenty Studies” by Sor and the original opus numbers. Study No.9 – Op.31, No.20 Reviewed in the United States on July 24, 2013. cards. each emphasizing a particular aspect of technique, and these are now some = Sor Op.29, No.17 (page 22 in Tecla 101). 2521; and in private ownership (exhibited at the Londen Early Music Instrument Makers Exhibition, 1991). Not much is known about his time there, however, despite the exaggeration about his romantic and professional life. their way through these studies, which satisfy the elusive goal of providing Beethoven – The 32 Piano Sonatas in very high quality facsimile reprints of all 32 of the first editions. 31, and nine from op. 29, the (24) Progressive Lessons Op. At the same time, each individual reference was evaluated against other available historical evidence to determine the extent to which it truly repesents Sor's applied technique, the way he actually performed these pieces himself. Free sheet music facsimile edition of Fernando Sor’s (1778–1839) Studies for Guitar Op. Sometimes the Method gives clear indications of how Sor intended a piece to be played. Fernando Sor: The Complete Studies for Guitar. [6], In 1827, partly due to his advancing age, he settled down and decided to live out the rest of his life back in Paris. In preparing the material for publication, Chanterelle strove to maintain a close adherence to the composer's own statements regarding the pieces as they appear in his various writings. Matanya Ophee: "Fernando Sor and the Russians", in: Wolf Moser: "Fernando Sor: The Life and Works of a Reluctant Guitarist", part 2, in: Cecilia Ruiz de Ríos, Nicaraguan historian, Introduction and Variations on a Theme by Mozart. The harmony is skillful and surprisingly varied, with bold key changes and with rich modulations in the development sections. The Introduction to the Study of the Guitar, opus 60. 31, 35, and 60. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. It was during this retirement that he composed the majority of his guitar works. Posterity has endorsed this selection. Brilliant Classics 94791 (triple CD, 2014). Fernando Sor or Josep Ferran Sorts i Muntades (baptized 14 February 1778 – died 10 July 1839) was a Spanish classical guitarist and composer. Most significantly, Newman falls into an easy association of Sor's sonata style with that of Haydn (and Boccherini)." All of the MIDIs are in MIDI format 1, and reference the GM (General 6 and 29, and Ruggero Chiesa’s editions published in Italy. Josep Ferran Sorts i Muntades was a Spanish guitarist and composer. 6 (12 studies) and Op. [3], As Sor's works were published in various countries, his name was translated, leading to variances in its spelling. This book is not yet featured on Listopia. Ironically Sor says very little about other aspects of expression, but other guitar methods from the era do recommend much use of portamento, arpeggiation of chords, and other expressive devices which most people today consider anachronistic and completely out of style in the interpretation of the guitar music from this very era! 29 contain no fingering, and none has been added here. Having abandoned his family's ideal of a military or administrative post, Sor could finally give music a serious try in France. The present edition has a feature which as far as I know has not been available before, namely a Commentary which explores this music from the point of view of Sor himself, based on his own comments in his Method. Since France was no longer supportive of his music, Sor decided to try his talents elsewhere. I mention this last point those without sequencers I reproduce them here: Study No.1 – Op.6, No.8 He even invented his own system for notating music, as he had not yet received formal training. It so happens that we have a moving eye-witness account of his character, written by someone who visited him just a few weeks before his death, and who was himself greatly moved by the meeting. • Fernando Sor: Studies … = Sor Op.35, No.22 (page 77 in Tecla 101). June 1st 1998 Study No.12 – Op.6, No.6 for one or two guitars, he composed a large number of studies intended. Probably nothing like the study in octaves, Study 10, had been heard in England before. I do not say that others do not exist; but never having tried them, I cannot decide on that which I have no knowledge.". Untold numbers of students have worked. Back to Sor: The Complete Studies, Lessons, and Exercises for guitar. Study No.6 – Op.35, No.17 Along with opera, Sor's father also introduced him to the guitar. Reviewed in the United Kingdom on March 17, 2015. In this profoundly interesting book, clearly the work of an all-round musician, Sor referred to the studies, lessons, and exercises, and he discussed in great detail ways in which his music could be performed. Nicely laid out scores and very clear. Learn to master the most popular guitar scale with Pentatonic Master! Not long after, his father died, leaving his mother without the funds to continue his education at the Cathedral.

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