So he tours with long-standing associates Crazy Horse. 4.6 out of 5. Maybe it was just too close to home because the woozy, diluted, at times celebratory tone here is filled with raw emotion and surrender. The most intense versions of Tell Me Why & Mr. ... A compelling listen and historically significant. Review: 'Judy' only sings with Renee Zellweger's remarkable Judy Garland. Your recently viewed items and featured recommendations, Select the department you want to search in, Reviewed in the United States on December 1, 2018. The performances are fresh and heartfelt and he strikes up a lively rapport with the audience. I Was. All Rights Reserved. In This Article: Songs For Judy rings truer to me on vinyl than other sources I've heard thus far. For example, Tell My Why had an extended ending with falsetto singing that made the ending so beautiful and so essential to hear or A Man Needs a Maid where he weaves the song from a opening that sounds like Like a Hurricane is about to begin to a mysterious journey where Neil weaves the song into a musical painting. Then as it is now. We get to bask in the calm in the eye of Young's wilful hurricane without suffering the trail of destruction that followed it. Songs for Judy is different. Like the end of the world’, Frequently asked questions about your digital subscription, Specially selected and available only to our subscribers, Exclusive offers, discounts and invitations, Explore the features of your subscription, Carefully curated selections of Irish Times writing, Sign up to get the stories you want delivered to your inbox, An exact digital replica of the printed paper. It’s a high fantasy of meadows and moons and canyons, of shows that start after midnight, of possessing or creating enough space to let Neil Young play some quiet songs for you. Songs for Judy also serves as an audio verite documentary on how arena-sized and sometimes out of control rock had become by the late ’70s. Neil Young tries his hand at playing a guitar, a banjo, a piano and a Wurlitzer-none of which he does successfully. Neil Young’s latest archival album, Songs For Judy, is his twenty-fourth live recording but stands out for its focused scope and for the historical moment that it conjures. Solo performances of many well known songs that actually do add something to Neil's archive series that is not just for diehard fans. Judy Garland, Neil Young. And then, he obliges them a gorgeous, moving, and sometimes strange set that contains material spanning his … This is a beautiful window into Neil Young's early 70's ascent. The performances captured on Songs For Judy derived from Young’s practice of surprising crowds with an acoustic set before plugging in with Crazy Horse, and the tracks radiate camaraderie, intimacy and the mind-freeing affordances of cannabis. In the current blizzard of baby-boomer rememberings, this collection has competition but carries real charm. (The banjo on “Human Highway” sounds a bit like a novice chugging their way through an early song, the chords clanging and the finger-work occasionally missing its mark.) Above the screams and whistles of the crowd at Atlanta’s Fox Theater, Young launches into a back-and-forth with the “loud, boisterous mothers out there,” first teasing and then telling an anecdote about how he spotted Judy Garland earlier that night “down in the pit there,” in a red dress and red lipstick, holding the sheet music for “Somewhere Over the Rainbow.” Given that Garland died seven years earlier from a barbiturates overdose, the notion of her ghost calling up to Young asking, “How’s the business, Neil?” sets a tone: bordering on the profane but always brushing up against the mystical. For those that have heard the unofficial album, "Joel Bernstein Tapes" this is that but with much better sound quality and a rearranged order. During “Too Far Gone,” every pause between chords is filled with screams coming from crowd members meeting Young exactly where he’s at: singing about drugs and long drives while accentuating melodies with extemporaneous, spoken thoughts like “It was a little noisy at the bar that night, but he had a great time anyway.” By contrast, “No One Seems To Know” unfolds in total silence, the crowd receiving Young’s plaintive piano chords with a reverence that shocks given their usual rowdiness.

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