Pop culture obsessives writing for the pop culture obsessed. BD notes that, “while we don’t know any of the story details, we’re expecting it to be another spinoff or possibly a prequel, being that the Firefly family is presumed dead.” In the 12 years since “Rejects” was released, Zombie has directed two “Halloween” movies, “The Lords of Salem,” and last year’s “31.”. Some actors can make profanity sing, but here, the repetitive first-draft volleys of “fuck” and “bitch” could leave a whole convent praying for a new expletive. If you’ve seen the two previous films, you’ll know what to expect from the killing spree: lots of amused shit-talk from the killers, lots of fruitless pleading from the soon-to-be-killed, all shrilly pitched to the rafters. Stay on top of the latest breaking film and TV news! It counts as one of the film’s only good jokes that no one seems to have heard of him. Rob Zombie is a controversial filmmaker to say the least, but most can agree that his best-received film by far was 2005’s The Devil’s Rejects. By the sequel, 2005’s proudly depraved The Devil’s Rejects, the shock-rocker dropped any pretense of identifying with the “good guys,” transforming the surviving members of the unholy Firefly family into mythic ’70s outlaws, their rampage contrasted with the sanctioned sadism of The Man. By the sequel, 2005’s proudly depraved The Devil’s Rejects, the shock-rocker dropped any pretense of identifying with the “good guys,” transforming the surviving members of the unholy Firefly family into mythic ’70s outlaws, their rampage contrasted with the sanctioned sadism of The Man. 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It took awhile to complete the trilogy but we did it. “No one would have thought it possible that a human body could survive that,” a reporter remarks over the grainy newsreel footage of the prologue. To fill the void, 3 From Hell introduces a heretofore unseen brother, Foxy, played by Richard Brake, the hitman from 31 and The Night King from Game Of Thrones. Copyright © 2020 Penske Business Media, LLC. You will be redirected back to your article in, Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. Sign up for our Email Newsletters here. (Who’s the real monster? You said it, pal. ‘Life Itself’ Teaser Reveals Star-Studded Drama from ‘This Is Us’ Creator, Alicia Vikander on 'Tomb Raider', Telling a Coming-of-Age Story, Stunt Training, and…. 3 From Hell is the sequel to 2005’s The Devil’s Rejects, itself a sequel to Zombie’s feature film debut, House of 1000 Corpses. It doesn’t take long to realize, of course, that Zombie isn’t critiquing a national fixation on ultra-violence—he’s just indulging his own, without irony or much energy. Taking place for long stretches in motels and hotels, 3 From Hell is the closest the director has ever come to making a straight-up hangout movie. 3 From Hell, a trilogy-capper nearly as sentimental as Toy Story 3, takes the midlife-crisis anxiety of these carnage-loving freaks so seriously that you start to wonder if that moment wasn’t wholly sincere the whole time. Rumors swirled in January that a Devil’s Rejects sequel was indeed in the works, and today Zombie took to Instagram to confirm the news himself: Not only is a Devil’s Rejects sequel happening, it’s already in production. The disturbing full-length trailer for Rob Zombie’s The Devil’s Rejects (2005) sequel, 3 From Hell has dropped and it’s everything you’d expect from a Zombie film. That horror movie was itself a sequel to Zombie’s 2003 film House of 1000 Corpses, and fans have been curious to see if the filmmaker would be revisiting that material in another sequel. 3 From Hell is more coherent, admittedly, than Zombie’s last movie, the Z-grade death-match thriller 31. House of 1000 Corpses revolved around the Firefly family, who tortures and mutilates a group of teenagers traveling across the country. The Fireflies look even less like villains, and even more like folk heroes, in 3 From Hell, Zombie’s cut-rate and deeply unwarranted continuation of his throwback B-movie saga. As it turns out, though, it will take more than “20 bullets apiece” to keep Otis (Bill Moseley), Baby (Sheri Moon Zombie), and Captain Spaulding (Sid Haig) down. Zombie dispenses with Sid Haig early on, despite the fact that the actor’s profane crankiness was a genuine highlight of the series. The Devil’s Rejects aren’t exactly living up to their name, as. But even more so than usual, Zombie seems to be making up the plot as he goes along. Accompanied by a boom of gunfire and the cornball-epic strains of “Freebird,” the final freeze frame of Rob Zombie’s The Devil’s Rejects felt as conclusive as the one that concludes Butch Cassidy And The Sundance Kid. Top pic is shooting House of 1000 Corpses in 2001 - shooting The Devil's Rejects in 2004 and finally shooting 3 From Hell in 2018. Maybe they’re casualties of a movie so in love with its cowboy-lunatic antagonists-gone-protagonist that it has no idea how to make them scary again. Bloody Disgusting has confirmed that the horror-inclined filmmaker will make a trilogy of the saga that began with “House of 1000 Corpses,” Zombie’s directorial debut; how he plans to do that remains a mystery, as (spoiler alert) “The Devil’s Rejects” ended with the eponymous clan of killers dead. Sign Up: Stay on top of the latest breaking film and TV news! It was an ugly, cruel film, but one made with an undeniable grindhouse zeal—a vision, however depressing. It's been over a decade since Rob Zombie released The Devil's Rejects, his 2005 cult horror film.After teasing a potential sequel to the movie — which continued the violent saga sparked in his directorial debut, 2003's House of 1,000 Corpses — in an interview with Bloody Disgusting last Halloween, Zombie has confirmed that he's begun shooting the long-overdue follow-up, titled 3 From Hell. All rights reserved. Interviews with leading film and TV creators about their process and craft. It involves Otis, messiah of death and destruction, escaping custody and then using a hostage situation to arrange for the release of his nut-job sister. We get flashes of the style that once made him the toast of the midnight-movie circuit; there’s some unholy MTV mojo in the scene where Sheri Moon Zombie, the filmmaker’s wife, muse, and perennial leading lady, strolls in slow-motion down the corridors of the big house in shackles, her punk-rock attitude inflated by a perfect Suzi Quatro needle drop. Zombie advertises his film-buff bona fides in dashes, offering a little lesbian-prison-flick here, a south-of-the-border shootout there, an argument about Bogart and Cagney. The Devil’s Rejects aren’t exactly living up to their name, as Rob Zombie plans to continue their story. Our editorial content is not influenced by any commissions we receive. But the queasy, homage-happy pulp bravado of The Devil’s Rejects is in short supply. Day One shooting Three From Hell! Whereas Tobe Hooper locked us into the raw panic and terror of his victims—a key reason Chain Saw’s snuff-movie power hasn’t diminished one iota in four-plus decades—Zombie seemed more interested in the perpetrators, vulgar hillbilly psychopaths who did their dirty deeds with a cocked eyebrow and vaudevillian flamboyance. The film opens with them safely behind bars. Indeed, the title of the follow-up is 3 From Hell, and Zombie seemed to confirm on Instagram that Sheri Moon Zombie and Bill Moseley would be starring in the film, potentially reprising their roles from Devil’s Rejects and House of 1000 Corpses as Vera-Ellen “Baby” Firefly and Otis Driftwood, respectively. And Sheri Moon Zombie digs once more into her maniacal-flower-child routine with a camp relish that’s more exhausting than anything else. I know a lot of people hate these movies, and I’d agree that Halloween is overstuffed, but I find there’s a lot to like about the sequel as Zombie takes the nugget of a good story and really makes it his own. They’re not just homicidal maniacs, but also irritating pricks. At last, Zombie goes whole hog into depicting these atrocity-committing siblings as true countercultural anti-heroes, their cross-country massacre just a flipped bird to the squares. Ten years on death row hasn’t triggered any remorse in these natural born killers, but it has earned them a fanbase; like Mickey, Mallory, or Manson before them, they’ve become jailhouse celebrities, defended by hippies (“Free The Three,” goes the rallying cry) siblings Otis and Baby would scarcely hesitate to carve into mincemeat. Check out the Instagram post below and let the plot speculation begin. There’s the faintest promise of something subversive in this setup, derivative (as so much of the director’s work is) but still keyed into a culturally fresh true-crime fascination. ‘District 9’ 4K Review: Is Neill Blomkamp’s Debut a Fluke or a Filmmaking Breakthrough? Disney+ Adds Even Stronger Warning of Cultural Stereotypes to Certain Titles, ‘John Bronco’ Review: Walton Goggins’ Mockumentary Is More Effective as a Car Commercial. #robzombie #sherimoonzombie #billmoseley #thedevilsrejects, A post shared by RobZombieofficial (@robzombieofficial) on Mar 13, 2018 at 11:47am PDT. In practice, it’s also really tedious: a slow death by nostalgia. So, too, is any real danger or suspense. It's all true! Still the torturing rapists, Rob.) When Zombie cut, during the “Freebird” finale of the last movie, to home-video footage of the good ol’ days, it felt like a sick joke: a parody of wistful Western mythmaking. The filmmaker most recently released the carnival-centric film 31 in 2016, but a return to the Devil’s Rejects universe no doubt comes as welcome news both to his fans and possibly his detractors, if they indeed found something to like about Devil’s Rejects. The title could be taken as a suggestion that we’ll be delving into the underworld, or perhaps it’s just a clever play on words. After the success of Devil’s Rejects Zombie tackled an ambitious, gritty remake of Halloween in 2007, which itself was followed by a more standalone sequel in 2009 called Halloween II. The news started in October that director Rob Zombie would be returning to his most famous characters from The Devil’s Rejects and House of … After the success of Devil’s Rejects Zombie tackled an ambitious, gritty remake of Halloween in 2007, which itself was followed by a more standalone sequel in 2009 called Halloween II. Moseley, with his bushy wild-man beard and I-am-the-devil speechifying, plays Otis like Charles Manson as a glib insult comic—his sarcasm is as lethal as his trigger finger. Regardless, this is exciting news for fans of the franchise. If you’ve seen The Devil’s Rejects you may be curious to find out how exactly Baby and Otis return for 3 From Hell, but this franchise has never shied away from the supernatural so it’ll be interesting to see what kind of story Zombie has come up with.

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