accompanied by his five piece band (piano, guitar, bass, alto sax durms) of the period and is available on the combination CD/DVD set
The Complete Recordings, Notes: A number of commentators have noted that the original score for "The Way You Look Tonight" includes a coda calling for a series of hums at the beginning of the song. in the concert "An Evening with Nat King Cole" at the BBC TV Theatre, London, during the musician's visit to Britain in July 1963. }
so soft'" (Furia, Poets of Tin Pan Alley, p. 221 paper-bound Ed.). album: Sings the Ultimate
Billie Holiday, Vol 2. background-color: #FBECD5;
But the song's considerable life outside the movie is more dependent on the tension it evokes between a warm romanticism and an existential chill mitigated only by the power of art to bestow immortality. Even as he makes his request he understands that as he pleads with his love to stay the same, she can't. (Please complete or pause one
The musicianship on this album is hard to beat.
Thereleaseabsolutely killed me. The poignancy is intensified by the hint that the "someday," fraught with all its difficulty, will come despite her loveliness. The result here is a slightly funk inflected jazz rendition of a standard ballad -- and we love it. That they play together so beautifully here is undoubtedly due to a seamless merger of family closeness and individual musical skills. . . The song brings the friends together as almost nothing else does .
Rollins seems to bring Monk out, and he plays longer lines, more lyrical lines without abandoning his characteristic left hand chords and the discords against them in the right hand triplets. Holiday was twenty-one when she recorded "The Way You Look Tonight" as a duet with Wilson in October 1936. . (CD: 2005), Video: See center column at left for the audio and video from the movie soun, 1952
I will feel a glow
Bucky and John Pizzarelli
Later in the biography, Winer adds to the contrast between the styles of Kern and Fields when she comments that despite the plain spoken title of "The Way You Look Tonight," the song's tune is a "lyrical, quintessentially Kern melody, with . The melody of "The Way You Look Tonight" is beautiful, seductive and memorable, but its force derives from the simple but potent contrasts in the lyric: contrasts between now and then, between "tonight" and "someday," and between his hope that her momentary beauty has saved him from an inescapably bleak future. Stephen Holden's 1997 liner notes inside The Very Best of Frank Sinatra claim he recorded this title for the first time for Reprise ) though there's an original "wartime" recording by the singer in the forties released on Columbia/Legacy's The V Tapes:The Columbia Years 1943-1945. Video: Although this is a live recording from about the same time as the track on the album, the video is about two minutes shorter than the track. video before starting another. (and 1943)
written by Alberico Gentile 7. 3. Managed by tsk, The Way You Look Tonight background-color: #FBECD5;
video before starting another. (Please complete or pause one
Sonny Rollins. 1936
And it certainly sounds like Lee hums in harmony with Goodman's clarinet. Dorothy Fields herself felt the power of Kern's music to inspire immediately: "The first time Jerry played that melody for me, I went out and started to cry. In the 1952 recording Astaire sings accompanied by six members of Jazz at the Philharmonic: tenor saxophonist Flip Phillips, trumpeter Charlie Shavers, pianist Oscar Peterson, guitarist Barney Kessel, bassist Ray Brown, and drummer Alvin Stoller. And although he lets us know about what "more" constitutes, both in terms of its role as an independent song as well as its function within the movie Swing Time for which it was written, he is most penetrating when he acknowledges its existential qualities by observing how the song "jumps straight into sadness,". His Final I LOVE you is triumphant (it helps that he can hit the note so ringingly) but the possibility of loss still hovers. ." Nelson Riddle accurately sets the tone and that's all Sinatra needs to make his point with this Jerome Kern and Dorothy Fields composition. . then repeat the bridge and the last A section. . . 2011
restrained and matter of fact"; and more generally, Winer concludes, "The Swing Time lyrics reject starry-eyed romanticism for smart, urbane, sarcasm tinged expressions." Notes: Bucky Pizzarelli (father) and John Pizzarelli (son) are both extraordinary jazz guitarists but very different in their respective sounds, Bucky with his inimitable delicate chord structures and John with his hard driving solos.
Fred Astaire with Johnny Green and His Orchestra, Dixie Lee Crosby and Bing Crosby with Victor Young and His Orchestra, Teddy Wilson and His Orchestra - Vocal Chorus Billie Holiday, Guy Lombardo and His Royal Canadians - Vocal Refrain by Carmen Lombardo, Henry King and His Orchestra - Vocal Chorus by Joseph Sudy, Casani Club Orchestra (Directed by Charlie Kunz), James Melton with Orchestra conducted by David Broekman, June Christy with Orchestra conducted by Bob Cooper, Eddie Fisher with Axel Stordahl's Orchestra and Chorus, The Four Lads with Claude Thornhill & His Orchestra, David Allen - Orchestra arranged & conducted by Johnny Mandel, Doris Day with Frank De Vol and His Orchestra, Al Alberts with The Dick Jacobs Orchestra, Johnny Pace accompanied by the Chet Baker Quintet, Dirk Bogarde with the Eric Rogers Orchestra, Perry Como with Mitchell Ayres and His Orchestra, Maxine Sullivan & Her Swedish Jazz All Stars, Soesja Citroen with The Metropole Orchestra, Paul Bacon with Keith Ingham's Manhattan Swingtet, Jools Holland & His Rhythm & Blues Orchestra, Lina Nyberg meets Anders Persson & Yasuhito Mori, Rob Stoneback Big Band featuring Bill Watrous, Sara Lazarus with Birély Lagrène Gipsy Project, Gary Williams with Chris Dean and His Orchestra, Don Byas - Jacques Denjean et son grand orchestre, Eddie "Lockjaw" Davis with The Paul Weeden Trio, Barry Tuckwell - Richard Rodney Bennett with orchestra conducted by Neil Richardson, Yehudi Menuhin & Stéphane Grappelli, arranged and conducted by Nelson Riddle, Larry Elgart and His Manhattan Swing Orchestra, Red Callender, Gerry Wiggins, Sherman Ferguson, Mal Waldron, Reggie Workman, Ed Blackwell, Keith Jarrett, Gary Peacock & Jack DeJohnette, Joshua Breakstone featuring Tommy Flanagan And Jimmy Knepper, Jimmy Bruno with Special Guest Joey DeFrancesco, Charles Thomas featuring Ray Drummond, Alan Dawson, Warren Vaché and the New York City All-Star Big Band, Beegie Adair with The Jeff Steinberg Orchestra, Marco Detto with Eddie Gomez and Lenny White, Rava / Basso / Bollani / Tavolazzi / Manzi, Alan Pasqua, Dave Carpenter, Peter Erskine, Johnny Varro featuring Ken Peplowski with Frank Tate and Joe Ascione, Christina von Bülow, Søren Kristiansen, Jesper Lundgaard featuring Eliot Zigmund, Scott Hamilton, Dena Derose, Ignasi González, Jo Krause, © 2003-2020
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